Ressources

Ellis, B. K., Hwang, H., Savage, P. E., Pan, B.-Y., Cohen, A. J., & Brown, S. (2016). Identifying style-types in a sample of musical improvisations using dimensional reduction and cluster analysis. Psychology of Aesthetics, Creativity, and  the Arts. doi: 10.1037/aca0000072. 

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Kolinski, M. (1961). Classification of tonal structures. Studies in Ethnomusicology, 1, 38-76.

Kolinski, M. (1962). Consonance and dissonance. Ethnomusicology, 6(2), 66-74.

Kolinski, M. (1965). The general direction of melodic movement. Ethnomusicology, 9(3), 240-264.

Kolinski, M. (1973). A cross-cultural approach to metro-rhythmic patterns. Ethnomusicology, 17(3), 494-506.

Kolinski, M. (1978). The structure of music: Diversification versus constraint. Ethnomusicology, 22(2), 229-244.

Kolinski, M. (1982). Reiteration quotients: A cross-cultural comparison. Ethnomusicology, 26(1), 85-90.

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Rzeszutek, T., Savage, P. E., & Brown, S. (2012). The structure of cross-cultural musical diversity. Proceedings of the Royal Society B: Biological Sciences, 279, 1602-1612.

Savage, P. E., & Brown, S. (2014). Mapping music: Cluster analysis of song-type frequencies within and between cultures. Ethnomusicology, 58(1), 133–155.

Savage, P.E., Merritt, E., Rzeszutek, T., & Brown, S. (2012). CantoCore: A new cross-cultural song classification scheme. Analytic Approaches to World Music, 2(1), 87-137.

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Grauer, V. A. (2011). Sounding the depths: Tradition and the voices of history. CreateSpace. soundingthedepths.blogspot.com

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Savage, P. E., & Atkinson, Q. D. (2015). Automatic tune family identification by musical sequence alignment. In Proceedings of the 16th International Conference on Music Information Retrieval (ISMIR) (pp. 162–168).

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Savage, P. E. (In press). Universals. In J. L. Sturman (Ed.), SAGE Encyclopedia of Music and Culture. SAGE Publications.

Savage, P. E., Brown, S., Sakai, E., & Currie, T. E. (2015). Statistical universals reveal the structures and functions of human music. Proceedings of the National Academy of Sciences of the United States of America, 112(29), 8987–8992.

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Brown, S., Savage, P. E., Ko, A. M.-S., Stoneking, M., Ko, Y.-C., Loo, J.-H., & Trejaut, J. A. (2014). Correlations in the population structure of music, genes and language. Proceedings of the Royal Society B: Biological Sciences, 281(20132072).

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Savage, P. E., Matsumae, H., Oota, H., Stoneking, M., Currie, T. E., Tajima, A., … Brown, S. (2015). How “circumpolar” is Ainu music? Musical and genetic perspectives on the history of the Japanese archipelago. Ethnomusicology Forum, 24(3), 443–467.

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Brown, S. (2007). Contagious heterophony: A new theory about the origins of music. Musicae Scientiae, 11(1), 3-26.

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Doolittle, E. L., Gingras, B., Endres, D. M., & Fitch, W. T. (2014). Overtone-based pitch selection in hermit thrush song: Unexpected convergence with scale construction in human music.Proceedings of the National Academy of Sciences of the United States of America, 111(46), 16616–16621. http://doi.org/10.1073/pnas.1406023111

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Mâche, F.-B. (2001). Musique au singulier. Paris: O. Jacob.

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